Towards an Anti-Canonical Not-Warhammer 40k: Blood Floats In Space

Blood Floats in Space is a great Mothership supplement that imagines a beauty-obsessed space authority and its vassals, the Empire Without Borders Or Competition. Ruled with martial law, social classes are determined by beauty, systems with aesthetic flaws are destroyed and harvested for their base parts. The zine adds in two new classes - an armor entombed warrior and a ticking time bomb of a psyker. 

art by ArielP

The armor warrior can straight-up replace the Marine class, which is cool - all off-brand Astartes and no Imperial Guard with their flashlights, I say. The Psyker class freakin can melt its own face off if it successfully uses its powers a lot, much less if it fails psychic cast rolls. That's perfect. Psychic powers are like lighting a stick of dynamite with your brain, the zine informs us, and this class' characters are going to screw that up and some point.

Horrible star gods are detailed, which are worshiped by people in the empire. There are a small number of new gear-bits, a great number of psychic powers with amazing names ('For Every Psychic That Dies To Their Own Folly, Another Dies In A Psionic Duel'), Psychic Catastrophes ranging from merely gross to rolling a new character, a character sheet, d100 amazing rumors and d100 Empire-specific trinkets for your PCs.

The Gods are great and terrible. Each has a paragraph about their history/domain, a d6 table of manifestations that could wreck the players' day (or provide adventure fodder), and a final paragraph about their terrible human worshipers.

The Empire is ruled by the Empress, who was a popular musician before fusion with an alien lifeform and becoming an immortal floating space brain which commands the decaying remains of the delightfully-named Empire Without Borders Or Competition. 

I think there are a few things I'd love to add - the zine has some real fruitful voids where I want more stuff but I'm sure what I want is different than someone else. I feel like Mothership characters should get some Beauty stat for dealing with people in the Empire, and that maybe characters with a higher starting Beauty stat have some kind of Noble 'class' that they can unlock. A Noble would be good at, I dunno, dueling and evaluating poison in food. And that's about it. They're pretty (by Empire standards) and pretty useless. 

Maybe there should be mutation - just use A Pound of Flesh! But it should reduce your beauty stat? Because the Empire hates mutants because Empires are actually dumb. 

The PCs are sent on tasks that will likely gain mutations and have to hide them, Nobles are foppish and like the opposite of Teamsters, psykers are as useful and dangerous as unstable explosives, the Gods sometimes manifest in benevolent ways but really aren't here for anyone but themselves. It's a cool zine with a great setting in it - both explicit and implicit.

Mothership AP: CompanyLands Night Drive, 1 & 2, in-person crew

Writeup physical game nights 1 and 2. I ran my Night Drive desert delivery 'module' for some coworkers. 

Marine with examination loadout - WHooooo that is a real (awesome) warning sign. Don't fear the scientist, fear the marine with this gear, for they will be a butcher of all things. Also if a mysterious benefactor pays for a delivery, but you want the PCs to get into all kinds of hijinx, tell them that the benefactor will pay them for any interesting/weird/anomalous discoveries. Also, don't forget that vehicles have a speed stat - driving fast is more about that than a character's speed stat.

It's Friend's Nighttime Delivery - Geoff the marine, Jeff the Teamster, and Steaksauce the Android driving an A-6 Grizzly from Bixby to Lyons, a strange box in the cargo hold, at the behest of Friend. I'm running the same scenario with two different groups.

Art by Karl Sisson

Session 1 -> The android drives because it, nicknamed 'Steaksauce', cannot become bored. He fails a driving check and the roadkill encounter gets lodged under the Grizzly. The marine finds some roadkill and cuts out its brain for science. They drive off and the roadkill drags itself away. They come across Roland's Bait Shop, hear Sara asking for their help over short-range comms, warning them of automated turrets around the place. They use the Grizzly to shove 2 wrecked vehicles at a turret until it expends a lot of ammo. They bolt the remaining still-moveable wreck to the front of their Grizzly and ram a turret - it gets off a shot at the Grizzly but the ATV's armor handles it well, and the turret is destroyed in the collision. 

They bust into the Bait Shop looking for Sara in her panic room and pallets of food to scavenge. Not in that order. They find a computer and watch CCTV footage of the God destroying Roland and Darren, Sara's Dads, who with her had run the gas station for years. Sanity checks as it mists its way through a fist-sized hole, reforms in its pale maggot-colored flesh, and wrecks havoc on Darren and Roland. 

Then bioscanners detect a strange reading vectoring in on the Bait Shop. They frantically break into the hatch leading to Sara's panic room, she clambers out and deals with what has happened as they load themselves into the Grizzly. Jeff stares out at the God through his IR goggles but fights down panic. As they climb aboard the Grizzly and drive off, Roland's corpse begins to stand up, shouting that "God is here." Sara panics and wrestles for her pulse rifle, Jeff and Geoff try to de-escalate the situation, and Steamsauce slams the gas and Sara hits a bulkhead and is knocked out. Geoff and Jeff look for rope with which to tie up Roland, who comes at them. Overall, lots of good tension buildup.

Session 2 -> Sara's knocked out in the cargo hold, Roland pins Geoff's arms to his side. Steaksauce is driving away from the God, Jeff is watching it in the turret through his IR goggles. Jeff, hearing Geoff struggle, slides down the ladder and runs behind Roland, hitting him with his crowbar. Roland, distracted, let off some pressure on Geoff, who struggled free and levered up his stun baton but missed. Steaksauce, listening into comms from the driver's cockpit, slammed the brakes and only Geoff remained standing, who snatched up some stowing rope and struggled against Roland to tie up his hands. Roland stood and launched himself at Jeff, headbutting him and biting him. Geoff failed to trigger his stun baton optimally - eventually Steaksauce briefly halted the vehicle, ran back to tranq Roland, and sprinted back to the cockpit to drive the ATV away. 

As Steaksauce had driven well and put in a big lead against the pursuing God, and as he was away from the cockpit for ~15 seconds, I figured It had not caught up with them, though he had a 3rd drive check to speed away from It. I sadly forgot to use the vehicle's speed for these checks; the God would have probably caught up to the ATV had I remembered. Fancy maneuvers - I could see using the Android's stats. Pure 'drive fast' - should have used the vehicle's speed. Regardless, out-driving the monster is less scary, but it's how the dice fell. It'll turn up again, I'm sure.

They tried to understand Roland. They hypothesized that the God might be broadcasting and receiving data from him. They turned their bioscanner, medscanner, cybernetic diagnostic scanner and electronic repair tools to the task, and knew it was so. Roland's cyberbrain prosthetics were doing this, as were the burnt-looking black marks upon his scalp, which seemingly wired into his cyberwear.

Sara woke up and as usual, seems to roll well, passing a 'panic check or no' Instinct check. She spoke to Jeff and Geoff as though in a dream. She seemed surprised that they were keeping her father's body when it was clearly dangerous, when it was raving about God, back from the dead but clearly Wrong; she asked them why they were studying Roland's body rather than dumping it. She indicated that it wasn't Roland anymore.

They rolled up on a curve in the road, boxed in somewhat by somewhat steep sides. Boulders on either shoulder. The road itself had a patch that was carved up as though by a laser cutter. Jeff threw a box of twinkies at it from the pallet, to no effect. Geoff knew, from his military training, that mine triggers are set to weights close to what they are designed to attack - an anti-vehicle mine won't go off from a 5 pound weight. He crept close and noticed detonator pressure sensors and mines or IEDs wedged into the road carvings. Steaksauce drove the ATV around, critically succeeding and thereby running over an android hiding under camo blankets near one of the boulders. 

They came up to a Grizzly parked 200m or so from the IED ambush, and watched as a rubber-faced android climbed into the turret and pointed a pulse rifle at them. It told them to turn off their engines and dismount. Steaksauce locked all external doors and came in the back to scheme, and because he wasn't sure if the pulse rifle rounds would punch through the driver's cockpit. The android promised them shelter, and that it was not familiar with the God of Route 11b, and the party was not wholly convinced. They decided to dump Roland out the back and see what the Android did with him. As they roll up the backdoor, they spot another 2 androids in the distance, behind boulders, aiming weapons at them. They throw Roland out and slam the cargo door shut as pulse rifle rounds impact off it. 

The android on the radio calls them. 'We tire of this. Step out of your vehicle, it is time to meet God.'

I figure the next session starts with a panic check. They were very convinced androids would not be swayed by the God, as Roland was. When hope is drastically cut away, panic checks.

Art by Leo Haslam

Sleevejacker

Sleevejacker is a class for Mothership, inspired by one of the random encounters from A Pound of Flesh, which most of us are still hungrily awaiting in physical form or otherwise. This is not playtested. Anyway, here is the encounter:

Yuvenko | Sleevejacker | “You haven’t lived until you’ve lived twice.”

All their non-immediately-dangerous encounters have a _name_ and a _quote_. If you roll the same number as before you now have a reoccurring NPC, and the quote does a good job of suggesting personality. Like Yuvenko, who is an unrepentant sleevejacker. 

Resleeving in A Pound of Flesh gives a +1 minimum stress to 'the sleeve' - so perhaps if you get back to your original body you get rid of that, perhaps not. Either way, bodyhopping is not undertaken lightly - except by sleevejackers, whose minds seem almost designed to be transmitted from body to body.

Art by Sebastian Szmyd

Sleevejacker

You might not have even meant to start. You might've woken up in a strange body, remembering the shrieking backup machine sifting through your mind with its magnetic fingertips, but not why you were embodied. You might have deliberately kidnapped someone to wipe their brain and commandeer their body. You might have returned from penal cold storage in new flesh. Either way, you discovered you had a knack for resleeving that others lack. Otherwise you're awfully similar to the background-noise masses of void urchins and star vagabonds.

Special: When you resleeve you don't gain +1 minimum stress. You start out backed up somewhere semi-useful to you, to be discussed with your Warden.

Skills: Rimwise, Scavenging, +2 skill points

Saves: Sanity 35, Fear 40, Body 25, Armor 30

Panic Effect: When you fail a panic check, in addition to whatever happens, you have a moment of Sleeve Rejection Syndrome. The Warden gets to take an action as your sleeve runs semi-autonomously, often acting as though its former occupant was still within. 

Mothership AP: The Kids Are Alright

THE KIDS ARE ALRIGHT
MOTHERSHIP EDITION
OR 
I LOVE A PLAN THAT HAS AN AIRLOCK IN IT

Art by Marcel van Vuuren

Players:
Ryan, Teamster, Pilot and Jack of Many Trades
'Doc' Krober, probably not a real doctor?, Scientist, Curiosity Fulfiller
Willow, Former Marine, current computer / hacker specialist
Ed, Mercenary-stat'd Android, (Combat: 30 (?), Instinct: 40, Loyalty: 45, Revolver, Flight Suit)

If you played in this game pls leave now. Spoilers for y'all.

Ed courtesy of Alien Isolation

I ran a amalgamation of 'Alpha Gaunt is here' and 'asteroid mining and pirates.' This was a combined set of advice from the excellent Mothership discord (thanks Sean, Uncle Kudzu, and doghairedinfant!). The pirate attack was cut short by them jump-driving away; they elected to ditch 33% to 45% of the asteroids for less damage, which was very sensible. 

Ryan's player drew up an extensive mining ship and so I had to use that as where they were being hunted by a lightly-reskinned alpha gaunt.

The crew of the Honeybadger, a mining vessel, had heard rumor of some asteroids drifting in from the deep, a short jump from Prospero's Dream. We open on them looking at 1 water and 2 ore asteroids in a decaying orbit around a pulsar.

Willow's player rightly points out the water asteroid will melt away, so they mine that first. Ryan flubs a piloting roll and the ship is caught out in a solar flare. They hunt down the fire on-board the ship and Willow, in her vacc suit, foam guns it away. Ryan tries to repair as Willow and Ed mine the asteroid - Ed fails a roll, giving them less profit as the mining rig cracks and scatters too much ice. 

Krober meanwhile studies telemetry of the other two asteroids. The larger one has regular striations on it that look like wind erosion, but there's no evidence the asteroid was part of a planet at some point. Keeping some of this to himself, mad-scientist-style, he tells them to mine it next.

The asteroid has three triangular ridges. At a closer distance (no piloting roll this time, they're in the asteroid's shadows), the ship's telecope picks up eroded-looking characters. Writing. Krober and Ryan (who studied linguistics) attempt to decifer it.

The Fibonacci Sequence. "We are understood and so we are." Snatches of language. Sanity saves are the order of the day. 

They decide to use the ship's laser cutter to collect the plinths and stow them on the ship's exterior, covered. The ship's computer fails an Intellect / Sanity check.

Pirates in a courier jump in-system and announce on stuttering comms that 'those are ours' - the asteroids. They try to line up an autocannon run. Willow dumps mining tailings right on the courier's vector, giving its sensors hell trying to target the mining ship. Ryan adroitly spins up the jump drive and they see bright pulsing light before the safety shutters clamp down and Ed hustles the humans off the cryo.

WRITING ON THE WALL

They wake up to Ed, holding a roughly-made rebar barricade against the cryobay door. Ed indicates that the ship computer had turned on them, lying to him, locking away the science lab, and that something was aboard the ship, moving around the main deck. 

After checking their bioscanners and getting more details from Ed, the crew moved out of the cryobay. After being told all was well by the computer, Willow rolled a 00-0 hacking the computer and managed to find the real logs showing that Ed had told the truth. Ryan welded the rebar barricade over the ladderway down to the lower deck, and began trying to see if anyone would go down and investigate with him staying up and monitoring body cams over his HUD, providing advice.

I pointed out that splitting up rarely ends well in the horror genre. They ultimately descended as a group, leaving Ed at the helm, heading to investigate the pounding and screaming that had started up after about 40 minutes of me timing their command deck exploration and planning. They knew the mining arms of the ship held escape pods, that there was no airlock access from the command deck big enough for a human in a vacc suit - Ed could squeeze through it - and that they had arrived at Prospero's Dream. From talking on the comms they found out that a Tempest Co. fighter was inbound to vaporize the ship if it continued to show unsanctioned life on far-range bioscans.

On the main deck, bioscanners showed 2 lifeforms, one moving in the science lab, another there but still. They were in an accessway between air lock, the science lab, engine and thruster rooms. The corridor nearest the science lab was covered in eroded characters, much like the asteroid-chunks on the ship exterior. 

They had a clear run to an escape pod, but decided to stay and try to lure whatever it was into an airlock and blow it out into space. 

Ryan acts as the lure, Doc hides in an Engine room, and Willow crawls into a nearby air duct. They plan on Ryan running into the airlock and keeping the screaming thing busy, Willow triggering the airlock, and Doc as kind of the floater / backup. Ryan and Doc were in their vacc suits; Willow had to remove hers to squeeze into the air vent.

From DEAD PLANET

The creature came into view - its torso ending in a fleshy twitching maw, its long arms almost folded in on themselves, its pallid flesh. Ryan passed a panic check, Doc failed and gained 1d10 stress. Ryan sprinted for the airlock but failed a speed check - it caught up to him and swung its long-fingered hand at his back, hurting him. (I forgot that the alpha gaunt has 2 attacks per action, foolishly.) The creature had stopped at the edge of the airlock, just outside - Ryan had been left sprawling in it. 

Willow climbed from her vent and peered around a corner at the creature, passing her panic check. It noticed her, just as she shot it in the back with her laser cutter. It staggered into the airlock, turning to lift her into the air and hurt her, screaming to scare everyone. Ryan regained his feet, sealed himself into the airlock and tripped the explosive bolts, firing himself and it into the void.

They collided and then he was trying to scramble onto the mining arms of the ship, and failed. The beast grappled on and clung to the ship. Ryan, floating away, managed to line up a laser cutter shot and the creature lost its grip on the ship and floated free.

Meanwhile, Willow and Doc came into the science lab and found that it had been wrecked, and that a small jointed gate stood glowing in the middle - the bioscanner read it as alive. It was silicon, metal, and generating its own energy - enough to run the ship for a few years. They decided to heave it into an escape pod and fire it off into the void, and did so just as something began to emerge from it.

Free of organic life, their ship was allowed to dock as Prospero's Dream. The crew had their ice-asteroids to sell, and a potential quest to find a buyer for the asteroids covered in infectious writing, if they thought such prudent. As for the creature and the gate, I'm sure Tempest Co. did its job dilligently and eliminated them via fighter-craft fire. 

Willow discovered that she had a character from that alien language eroded into her flesh. 

MY THOUGHTS YES I HAVE THAT

I think I did a good job leading up to the monster, building scary feels. I don't feel my use of the monster as a threat of death quite lived up to that. I think I ran the monster in combat a little too stupidly - I forgot that it could attack twice, physically, for one action. I feel like it stressed them out a great deal but did little damage to them. And maybe 1 panic check for the whole mission was too few? I dunno. Maybe the monster wouldn't lose its grip on the ship when shot, but I thought of it as a graceful viral-language spreader and not a Meat Powerhouse. I definitely should have thought more about what would tear a vacc suit.

One thing that might've helped was if I simply thought more about this thing's motivation. Turn entire ship into virus-writing, fly it at Prospero's Dream? Then it could simply inspire panic, stress, and ignore the PCs unless they attack it. A horrid monster that just doesn't care about the PCs. Or, turn them into parts of its gate to enlarge it? Then it would want to not act so aggresively, maybe flee the PCs and try to ambush them singly. As is, it responded more like an animal than an erosion-writer.

(Of course, the MOST obvious thing is that Dead Planet's Alexis was written with other monsters on it. The God of Route 11B I wrote has minions in the forms of its congregation.)

WHAT THEY DID WAS SMART

On the other hand, their plan was decent, they rolled quite well, and Willow distracting it (and pushing it back a step into the airlock with a powerful laser-cutter shot) and Ryan wearing his vacc suit were vital lynchpins in their plan, as was no one freaking out and going all catatonic. The monster still had 4 (45) hits as it floated away from the ship. They focused entirely on getting it out of the ship, not getting in a stand-up fight. They played it smart and rolled well. They didn't figure out what was going on (other than the fact that the language itself was dangerous around computer systems), but they did survive, and saved their payday cargo and their ship.

Notes on running Mothership tonight

HELLO - if I am running Mothership for you, please leave now. 

You're delivering a Box to Lyons. You have a Grizzly ATV, driving up 11B, surrounded by grass and desert and the wrecks of Crashland. 

Art by Rust Shake

What's In The Box

1 - 5) Viral nanohive. 1-2. Inactive 3-5. Active (Body save or replaces lungs, disadvantage running, can spit viral nanomachines)
6-10) Atlas of Hell - smoking skull surrounded by a black mold. Sanity save or 1d10 stress and 1d10 damage from self-harm, per round of exposure. Can ask it questions when exposed. Mysticism to figure out this is in the box without opening it. (stolen from Wounds by Nathan Ballingrud) (Edit: Once a day you can ask it for stuff but there's always a delivery person and they may be or become something from Hell)

Art by Joshua Cotter

What's On The Radio / Fear Save Static Hiss

1) "God is here"
2) "You are already in Heaven"
3) "God will save you next"
4) "Save... us..."
5) :Latin shouting, mysticism or theology / Int roll to decode, hint about monster:
6) "God is a black duststorm"
7) "God will strip our flesh and show the truth"
8) "God is hungry"
9) "God is suffering"
10) "We are with you and God is with us"

God of Route 11D

10' tall, bone-white, whippet-thin, face is like a distorted honeycomb that winks and screams and emits corrosive dust which it controls. Some of what it kills are animated corpses when within 200 meters of it. They may or may not fall under its control (instinct save to resist). They understand that it is close. They want to worship the God whether they succeed or fail the instinct save. 

It can run slightly faster than the average ATV or Grizzly delivery vehicle. 

6(30) hits, Combat 66%, Instinct 35%, Run Fast 55%

It can swing its rubbery limbs at you for 1d10[-] damage (ie you roll 2d10 and take the worse result). On a 5+ body save or get knocked over or tossed around. 

At range it emits a corrosive black dust that can cause up to 4d10 damage - it can target multiple opponents if it doesn't move. Armor save at disadvantage unless you're in a sealed env suit of some kind, which it will eat through given a few rounds. 

It can also blast a bright light from its honeycomb face, a hellish glow that causes a fear save or take 1d10 stress.

Wants: to absorb cyberbrain prosthetics and nanohives, gaining more Black Dust. To be worshiped by its victims.

Landscape Features d66 table for hiding on a Semi-Arid Planet

One
1. Bouldering-sized scree / stones tightly packed
2. Reedy pool of salty water
3. Dry riverbed / rocky trench
4. Low walls of an old ship bulkheads, strewn about
5. Stripped ship generator and large (1' tall) power conduits
6. Unpowered airlock door, closed, explosive bolts, opens to a 40' drop into a derelict

Two
1. Wrecked, flipped buggy
2. Tall grasses
3. Ridge top
4. 40' tall stone outcropping shapped like a talon
5. 4' 'cliff'
6. Copse of hardy bush-trees

Three
1. Fallen-in concrete hut
2. Still-smoking crater
3. Cliff Racer nest, 50/50 empty. Large hole-riddled mounds
4. Geiser outgrowth / stalagmite
5. Low (crawl-height) gas. 1) methane 2) sulfur 3-6) fog
6. Dunetop plateau of sand stone

Four
1. Concrete pipes, 8' tall, 1d10 in a cluster. Stood so they're open at the top
2. Mummified corpses in vaccsuits, 1d10
3. Scruffy shrubs surround a tiny saltwater spring
4. Flat-top stone with a narrow (2') deep (8') crack running its length
5. Rusting dumpsters in a pile as though dropped from on high
6. Tall dry grasses (dead, very flammable)

Five
1. Blacktop cracked road with ditches on either shoulder
2. Thick mass of creepers and vines over rotting soft ground
3. Waist-high fungal growths
4. 20' stone arch
5. Throny shrub with exposed roots at crawling-level
6. 8' x 8' x 2' steaming animal turds / bones / shed skin

Six
1. Manhole cover to small dry sewer
2. Power line pylones, 60' tall
3. Fallen-over Company billboard
4. Crashed lifepod
5. Narrow crooked valley
6. Mining sump, hastily abandoned

Mothership setting notes: CRASHLAND

A LOT of this was cribbed from Throne of Salt's Great Screaming Hell and Unnamed Mothership Setting.

War in Heaven

We don't know why they fight. We fight for the castoffs, or we fight the castoffs. Our posthuman Angels rarely notice us. Their machinations are abstract and distant. Or close, next to us, inside us, destroying our worlds, our minds, our reality. We don't even know if it's a war. We just know it is destructive.

Their leavings, in part:

• Exowombs
• Warframe armor
• MTHR computer cores
• Automated nanofactories
• Infested radio waves hacking and repurposing machines and minds
• Origins of cyber brains and backups and uploading
• Jump drives - we can't create them
• Some androids

CRASHLAND

Y03D, or 'Yonder,' was meant to be a number of things. A depository of debtors working down their sentences. A mining colony. A shipbreaker facility. An out-of-the-way part of the galactic economy where exiled researchers could be parked. 

In time, the workers re-dubbed it Crashland.

The place was a ball of scree and comet-impacts orbiting a star. The Company shellacked atmosphere on it as fast as they could, leaving a few mild gaps in the high desert where there's essentially none - the ideal place to drop ancient ships to be broken and recycled, after orbital stations removed delicate parts. 

Salty seas were made from ice comets crashing into the planet. Desalination stations were set up, settlements sprouted in various places. Grasslands grew.

One had to get a cyberbrain prosthesis to move to Crashland, and modern medical facilities are still set up to convert people to such. Nanite injections can painlessly convert brain flesh to silicone, grow in the ports needed for work, entertainment, registration, anesthesia. Rumors of the company editing memories were not to be repeated; they were prosecutable examples of subversion. 

Then the Company foresaw a tiny thread of the War in Heaven drifting towards Crashland. They drew straws - or rather, the local executive board handed out straws to their lessers, and a general evacuation was sounded for 'non-essential personnel.' 

Now, a skeleton crew squats around a space elevator, nominally ruling the world. Factions vie for legitimacy, land, water. Ship remnants rain down every night. In the depths of the wilds, in the depths of the planet, from the depths of the void, old machinery left by the angels of Heaven sometimes stir. 

We pray we are not noticed by them.

The Trickle Down

Orbital decay causes old shipbroken vessels to crash down and spill their rotten guts. Often they're dropped into parts of the Crashland with little or no atmosphere. Some make a living scavenging. Others worship artifacts gleaned from the old ships.

Edited Memories

Cyberbrains installed via a technovirus, and the Company covered it up? Remote backdoors utilized by ghoulish operatives left behind to catalogue and safeguard Company secrets? Cyberbrain architecture derived from posthuman technologies? Random blackouts in some locations? Puppeteering? Mind viruses uploaded to the local internet? Brain-thief factions setting up neural networks from prisoners / captives and leasing out processing time? Hermits living isolated and alone developing cyberbrains spontaneously? Edited memories a hoax to hide breakdown in reality? Company never left and will never leave and walks among us in secret at night and we cannot see them? 

None of this is true or worth repeating.

d100 Mothership Ship Names

Here you are!

Like it says, there's an easy source of spaceship names - historic and modern ship names culled from the Wikipedia lists of accidents at sea. It's also worth looking at Wikipedia's list of fictional ships. Especially if you want to rip off George RR Martin, apparently. 

What hath God wrought? Planetbound Mothership and Plagiarism

Mothership is a fantastic scifi horror RPG. It's a fantastic scifi RPG. I love NPCs having Combat and Instinct as their two catch-all stats. I love hirelings also having a Loyalty save to see if they help the PCs or act like Total Cads. And Dead Planet is strong.

Bixby and Lyon, and Route 11D

 I also love that Throne Of Salt put together a planetbound setting on their blog for it with lots of callouts to space opera, and a conversion guide for Eclipse Phase monsters, and also all the uplifts from EP converted to PC classes. Though I got into running RPGs because of Numenera, I started obsessively buying and reading RPGs again because of Eclipse Phase. I have all their 1e books up to Rimward. So it's nice to see someone dust them off and combine transhumanism / fancy technology with The Company running roughshod over all our necks, and a more grounded, planetbound game.

I am basically ripping off their first Mothership Actual Play as an intro scenario. The PC(s) are taking a strange box from the water-desalinization town of Bixby (in the bottom of that map) to the walled city of Lyon. FRIEND has asked them to do this and can pay 45,000 credits. The crew only owes 88k on their Grizzly, so they take the job even if it is on short notice, an all-night drive after a long day of work. That's what amphetamine gum dispensers are for. 

A6 Grizzly, 8 wheels of vacc-sealed low-agility

On the way up Route 11D, the PCs will hear some strange static whispering on the radio, see the destruction that came to Roland's Bait Shop - it's auto-sentries having ignored whatever bored a hole into the slab of the building. They'll hear Roland's kids pleading that they stop and help them get out of the sealed emergency bunker beneath the rest stop.

They'll see what the Eyes Church called down from the orbital heavens. The God of Route 11D.